Why did I name this “Folding Chair”? Count me absent in so many ways with this piece. When you are next to it, its seat looks kind of triangular, slants slightly downward, and it seems as if one were to try to sit, the whole thing would fold. Perhaps that was the genesis of the name.
But the hanger across the back. Is there any household object (symbol and/or reality?) that better identifies problems that women face mostly alone? I made three chairs in 2018 using wooden hangers and was blinded to the meaning these hangers may have been adding to the composition. Not that I don’t agree with the fact that as our political discussions continue, it would not be a surprise that a hanger could become a medical tool for some women yet again.
But they are WOODEN hangers. I saw them as wooden things that would take a screw (no pun) and therefore as options for my compositions.
Above is another chair using a wooden hanger in the composition. I thought the use of the hanger, the title “Backless” as in a dress, a nice coupling of title and composition before this time. Imagine the wooden hanger replaced with a much more lethal wire one. “Shameless”?
Or “Heartless”, or “Friendless”? One point to be considered is that a wire hanger is a whole different animal than a wooden one. Wooden hangers share their name with wire ones as well as some of their uses. But not all of them.
Or is the word “hanger” such a powerful one that any association, wire or wooden implies the same idea?