Above is my studio as seen from our second floor gallery.  You can see the white wooden window at the right, leaning against the wall waiting for stripping and sanding.  It seems my world is full of wooden right angles.


This stuff does not look like much until it enters into a composition.


Other shapes are more interesting from the start.   Here you see many similar lines/shapes that can work well together in a composition.   The skill is knowing just how much of this to use and  what to use in contrast.  Also, these shapes have to do structural jobs.  They are the connective tissue of the sculptures.  Bought all of these unglued furniture parts last weekend at a flea market for three bucks.  This kind of stuff is my number one shopping priority for the window sculptures just now.


The windows are the bones of the composition, usually three.  Only the back window is cleaned up here.  Notice the yellow coil.  Never have I had a tool this fine.  We have a giant compressor that  Glenn uses for everything.  He made three stations in the barn where one can access the power.  One is back here in second class.  It is used to get the windows clean before varnish.


Unfortunately most surfaces have some collection of raw material loaded upon them.


But not all.  This fine oak desk was brought here this week, free for the taking from another scavenger friend.  This top must hold something significant, but what it might be remains unknown.  It was the acquisition of this that made me clean and organize.  That is a good thing.


Critique chairs.  It is wonderful to sit out here until after dark with the studio light glowing and talk about creative options.


This is taken from outside the building.  We have both warm and cool light in this studio.  And we have multiple sources.  Had been having a problem when using just the hot light on the right hand side.  The windows, being so linear were casting shadows on the wood chip wall.  And I was composing with respect to those shadows.  Of course, they are temporary.  We had to solve that problem with more lighting from all directions.


Back of the barn.  We have an Overhead Door back here for unloading things like my big new desk.  Some tile stays outside the door because it can.  All that white will go to the pool deck next summer.


Bicycles separate areas of the barn.


They work well visually doing that.


Out of all this mess will once in a while come a clean piece.  This is the first piece on which I used bunji cords.  Fun.




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